For a creative person, a studio space becomes a sanctuary and the electric kiln in the corner a faithful friend in winter.
The many enjoyable hours spent creating and developing ideas, becomes almost addictive as the brain says "I wonder if".
Clay, moulds, and a knowledge of materials are essential in allowing one to create the desired piece of work. The various kilns, clay store and supplies are an asset.
Traditional hand building techniques are used to explore and develop ideas. I believe that there is no form/shape that cannot be produced by using basic techniques.
The making is slow, very tactile and extremely therapeutic, taking many hours, but very satisfying. Hours are spent burnishing the surface of the clay allowing one the opportunity to consider the whole form and appreciate it. The surface produces a canvas on which further interest can be developed.
Firing always throws up its own challenges, and often burnished surfaces show the marks of the making process, but they become a part of the hand making process. Pre-smokefiring marks are made using tape, newspaper, horsehair , tin foil and any other combustible material leads to a great variety on the finished piece. There is very little control in the firing, but can throw up pleasant results.
The whole process is so exciting and exhilarating: the unpredictable effects of the firing a constant surprise.